“LOOK BACK THURSDAY, THE METROPOLITAN OPERA HOUSE, 1883-1967”

………………..Many people do not remember or even know that the original Metropolitan Opera House was right in the heart of the Garment District…….It was located at 7th Avenue between 39th and 40th streets. It covered the entire city block. When you google it, it says it was on the west side of the street, but it was NOT….It was on the EAST side of 7th Ave, and 550 7th Ave was on the West side of the street. I know because I worked in that building. In 1967 it was torn down, because it wasn’t able to get an “Historic Building” listing….It really should have! The Met was moved to Lincoln Center, in a brand new must larger and more modern building at the new cultural mecca of NYC….The “OLD MET” as it was sometimes called had out lived its’ space, and sometimes the sets had to be stored on the side street, because there was no room inside……I have told the story before that when I graduated from Elmont Memorial High School on Long Island I got a summer job as an intern at the House of NORMAN NORELL. I didn’t even know who Norman Norell was!!! You have to understand, I was a very naive kid from the sticks, and knew very very little about the fashion industry. I just knew I wanted to be in it, and I was thrilled to be accepted into Parson School Of Design. I did realize it was a difficult school to get into, and it was considered the BEST and it still is. I had no idea just how difficult it was to get acceptance, and how many applicants there were. Only 250 students were accepted in the fashion design department from around the world! Only 21 of us graduated…I was very lucky!……..Back to the Met…………..My Uncle Paul was a big deal in the Ladies Garment Union, and knew every important designer on 7th Ave. Again, I had zero idea how important, and powerful he was…..he was just my Uncle Paul. My mother told him about my fashion sketches, and he wanted to see them. He thought I was very talented….He arranged for me to get this summer job at the House of Norman Norell before I was to start Parsons in the fall….Mr. Norell was considered the KING of NY fashion. His fashion shows took place in the evening at his showroom. Gold guilt ballroom chairs were brought in and they were “Black Tie” events!…..I was basically a “go for” and delivery boy. I did what anyone needed, from bringing a client like Lauren Bacall a cup of coffee while still in her underwear waiting for a fitting by Mr. Norell himself [this 17 year old boy turned beet red], to delivering a sequin gown to Mrs. Lyn Revlon, [yes that Mrs Revson of Revlon], who answered the door of her 28 room apt. anxiously waiting for this gown to arrive. I don’t remember her tipping me either!…….Now to the point of my story. Mr. Norell’s offices were in 550 7th Ave, between 39th and 40th……directly across the street from the Old Met. Again, I had no idea what the Metropolitan Opera House was or how prestigious it was. All I knew was I passed it every day of that summer, and you could see it clear as day from Mr. Norell’s offices. The building impressed me with its’ old gas lamps like something from old movies, which I did know something about. I had to stay late just in case someone needed something at the last minute. I remember one late evening I was sitting in the beautiful showroom, that smelled of Norell Perfume…looking out of the show room windows. It is still my absolute favorite perfume, and I brought a bottle home to my mother which I STILL HAVE!!!!. There were just a few of us left in the office, and I was waiting to be told it was alright to go. However, down in the street there was a big commotion. Little did I know a huge benefit show was going on to make money for the new Met…….Limos and beautifully dress people were flooding into the building. Again, I had no idea history was being made that evening. There were to be a few more benefits to make money that season….that last season of the “old Met”. At the end of my stay at Norman Norell’s, Mr. Norell was kind enough to speak with me, and give me some sage advise. He was a big supporter of Parsons, and I eventually won The Norman Norell Scholarship for my 3rd year…..This was 1966 when I worked there….in 1967 the Old Met was torn down and an office building was put in its’ place….I was very sad to hear this news……I had hardly come to know this TREASURE. If I had known what was to happen I would have paid more attention, instead of taking this beautiful building for granted. Now it was gone forever replaced by a steel, concrete and glass common indistinguishable building…………..So many of New York’s treasures are gone, and 7th Ave, once the thriving center of New York’s fashion, is a shell of what it was. So much has changed I really don’t recognize it at all. Gone are the models running from booking to booking. Gone are all of the Italian and Jewish tailors congregating in the streets at lunch time….gone are all the racks of clothes going from one place to another. Gone are all the restaurants and bars and coffee houses where we all used to meet for lunch, after work drinks or dinner…..Now 7th Ave, “Fashion Ave” as it’s been named, is just a thoroughfare for all “types” of people going from Pen Station to Times Square……..All of the glamour and all of the mystery of what took place is gone. Things never seem to change for the better. Somehow all of the beauty, and wonderful things from the past get destroyed and what takes its’ place is filth and dirt……Very sad.

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“MORE PICTURES OF THE OLD MET”

………………………..I would venture a guess that there aren’t many people still alive who even went to the “Old Met”. Certainly the generations that followed me, even my generation didn’t know it existed because it was torn down when we were all 17 and 18…nor did they care…..All of this wonderful history and architecture gone….Can you imagine what went on in that building…..the singers and the intrigue!!!……..I thought this piece of New York history was worth “Taking a LOOK BACK”.

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“THE ABSTRACT FLORAL JUNGLE PRINT”

……………………….I was in a very “painterly” mood with this Spring 1991 collection, and once again I got out my white paper, my paint brushes and paint. I must have painted at least 15 versions of this print until they all started to look alike. It was time to choose. The prints had an abstract floral jungle look, and were made for me on a Silk Jacquard developed for me by a gentleman name Gi Cuomo. He had a small, but very good business in Como, Italy. Before he opened his own company I had worked with him at ETRO for years. He was Mr. ETRO’s right hand man. However, as Mr. Etro’s four children got older, and became more and more interested in the business, Gi saw the handwriting on the wall and left before he was pushed out. We had a long time relationship, and I wanted to help him in his new venture. He was also more flexible in his pricing than Etro was, because he had a much smaller business and a much lower overhead. He was also able to produce prints for Anne Klein 11. The volume was much bigger than the collect, so Gi could source out to different printing mills. He could offer independent print mills large volume which made them all happy, and was still able to print on Silk Crepe de Chine at a good price. The fabrics were then shipped to China for the garments to be made……Gi was very grateful for the large orders, but still wanted to do the prestige work which was his background. He didn’t have the design staff Etro did, and most of his prints came from print studios, which wasn’t a bad thing…I just had to weed through  many prints that weren’t my taste…..It just made the process of developing a new print to a third party more complicated. Giving Gi these hand painted prints by me was the perfect solution, and he did a fantastic job, as I knew he would……..The sarong dress, the blazer coat and the sleeveless dress were all styles developed for the collection.

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“JEWELRY SALE PRICES ARE UP”

…………………Hi everyone…………Cathy has notified me that QVC has posted all of the SALE PRICES already…..so don’t hesitate to order early. My plan was to have all the prices reduced on my birthday, but as the saying goes……..”men make plans and God laughs”…..not that it matters but it would have been nice to know that they decided to do this. I’m assuming that the sale prices will last through my birthday….I’ll find out.

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“THE JUMPER”

………………………This jumper was a favorite of Jac’s. She wore it many times. The look was tailored with pizzazz. The two ply silk shirt had a hidden button placket down the front and FRENCH CUFFS. The specially made Gold “Bean” buttons on the collar matched the cuff links. The black crepe jumper with its’ very low neckline, combined with the blouse, gave the illusion of a bib front. One could layer anything under the jumper from tee shirts to all kinds of shirts and sweaters…………The Black and Ivory Spectator sling back pump was just the right accent, and was a big seller.

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